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Summary
- Pulp Fiction quotes have remained iconic and keep the movie’s legacy alive, showcasing Quentin Tarantino’s unique and fresh style.
- The memorable conversations and quotable lines in Pulp Fiction make it one of the most quotable movies ever made.
- The dialogue in Pulp Fiction, such as Jules Winnfield’s lines, demonstrates the depth of character and the ability to be both likable and terrifying.
After nearly 30 years since its release, Pulp Fiction quotes remain in the minds of fans and keep the movie’s legacy alive. Quentin Tarantino had already introduced himself as a fresh new cinematic voice with 1992’s Reservoir Dogs, but it was Pulp Fiction that really took his style to the mainstream as the movie became a box office hit and earned several Oscar nominations, including Best Picture, and won for Best Original Screenplay. The unique screenplay is certainly the highlight of the movie with so many Pulp Fiction quotes providing a perfect example of how fresh and new it felt.
Part of what makes Pulp Fiction one of the best movies ever is that Tarantino crafts dialogue like no other and perhaps his most iconic lines come from this film. The strange and cool ride into the criminal underground of Los Angeles, filled with colorful characters gives way to some memorable conversations, intimidating lines, and hilarious quips. The result is one of the most quotable movies ever made and a true classic to this day.
25 “They Call It A Royale With Cheese.”
Jules Winnfield (Samuel L. Jackson)
One of the most iconic lines in Pulp Fiction had such an impact because of how fresh it felt for the movie. As the title suggests, Pulp Fiction takes a look at crime stories fans are more than familiar with — hitmen on a job, a boxer who refuses to take a dive — but Tarantino finds interesting new ways to explore these stories. Opening the tale of two deadly hitmen on the way to kill some people with a conversation about European fast food cemented Tarantino as an exciting new voice that countless other filmmakers would attempt to replicate.
24 “Any Of You Move And I’ll Execute Every Last One Of Ya’!”
Honey Bunny (Amanda Plummer)
The thing about the diner scene is how the viewer is made to wonder just what Honey Bunny and Ringo are up to until they spring into action. Honey Bunny initially comes across as more rational. However, this idea is put to bed when the next second it’s Honey Bunny who begins screaming this quote like bloody murder after just having softly professed her love for Ringo. It is a great example of Pulp Fiction‘s unique look at criminal archetypes, suggesting that they “get into character” but are ordinary people most of the time. Honey Bunny insisting she doesn’t want to kill anyone only to threaten the entire diner is a hilarious whiplash of dark comedy.
23 “I’m Sorry Did I Break Your Concentration?”
Jules Winnfield (Samuel L. Jackson)
Samuel Jackson’s performance as Jules in Pulp Fiction is perhaps the best in the movie and one of the best in Jackson’s career. One instance where the audience can really see the different levels Jackson is playing is in the apartment sequence with Brett and his friends. Jackson is able to hold the tension as he talks to the men about burgers and breakfast while still being likable. It is when he kills Brett’s friend without warning that Jules becomes terrifying and his sarcastic question to Brett shows his sadistic side.
22 “The Days Of Me Forgetting Are Over, And The Days Of Me Remembering Have Just Begun.”
Pumpkin (Tim Roth)
The two robbers/lovers that open up the movie set the stage for this refreshing crime story that will be filled with unexpected turns. Just watching the opening scene of these two, viewers could reasonably assume that they are the leads of the movie with this quote setting Pumpkin up as some big-shot criminal with all the answers. That is part of the brilliance of the Pulp Fiction timeline as by the time the movie returns to this diner scene, now knowing that Jules and Vincent are also there, it shows just how small-time Pumpkin really is.
21 “Just Because You Are A Character Doesn’t Mean You Have Character.”
The Wolf (Harvey Keitel)
Easily one of the coolest characters ever, The Wolf dominated each scene he was in and every conversation he was a part of. By the end of his time in the film, one might wonder just what it was about him that made him so interesting. Wolf provided the explanation for this in his interaction with Raquel, where he pointed out to her that being respected required having character. To go further into detail, he made this simple statement, making it an eye-opener of how being a character is so much different from having it.
20 “You Play With Matches, You Get Burned.”
Vincent Vega (John Travolta)
Among one of the many mundane conversations Jules and Vincent have throughout the movie, comes a conversation about the ethics of massaging a married woman’s feet with Vincent suggesting such an act is simply someone being reckless and opening themselves up to the consequences. Ironically, Jules did take his advice in a way by retiring, while Vincent should’ve listened to his own words and exited as Jules did. Throughout the film, he was figuratively playing with matches, such as almost getting busted, nearly causing Mia’s death, and Vincent’s death in Pulp Fiction sealing his fate for being reckless.
19 “Sorry, Floyd…”
Butch Coolidge (Bruce Willis)
Butch was the closest thing to a protagonist in the Pulp Fiction cast, as he gets the solo spotlight of his own story, showing his strange hero’s journey. The indication of this comes much earlier than when most people would notice, though. While talking to the strange death-obsessed cab driver, Butch pretended he didn’t care that he accidentally killed his opponent in the ring. However, he then muttered an apology to the man as well, proving that he did feel a measure of guilt for having gone too far.
18 “No Marriage Counseling, No Trial Separation. I’m Gonna Get Divorced. And I Don’t Wanna Get Divorced!”
Jimmy (Quentin Tarantino)
The funniest fact about “The Bonnie Situation” segment is how none of the clean-up was done due to a fear of the cops, but the fear of Jimmie’s wife. When he laid in on Jules for bringing a dead guy to his house, Jimmie only had this problem in mind. Rather than worry that he might get sent to jail for being in cahoots with a bunch of gangsters, Jimmie hilariously ranted about how his wife would divorce him. It really went to show where his priorities really were. It makes for one of Quentin Tarantino’s best cameos in his own movies.
17 “Pride Only Hurts, It Never Helps.”
Marsellus (Ving Rhames)
Although Marsellus had been trying to corrupt Butch into accepting his bribe, his long speech at the restaurant wasn’t exactly wrong. After all, the matter of pride was what caused Marsellus’ own problems later in the movie. If he’d accepted the fact that he got swindled by Butch and let it go, then he would never have found himself in that dire situation with Zed. In the end, it really was pride that ended up getting Marsellus hurt. While it comes off as a menacing speech at the time, it can be seen as Marsellus offering some legitimately helpful advice to Butch in the end.
16 “Trying To Forget Anything As Intriguing As This Would Be An Exercise In Futility.”
Mia Wallace (Uma Thurman)
On the outside, it appeared as if Mia Wallace had it all made. With a rich husband, power through the gang’s influence, and pretty much all she wanted, she seemed to be well set. However, her interaction with Vincent made it clear that she was inherently very lonely. This is why, when she learned that she could get some juicy information out of Vincent, Mia couldn’t control her excitement. It is a small social moment of the conversation taking an interesting turn that foreshadows these two turning an innocent night out into something more dangerous and they test the boundaries they know they shouldn’t cross.
15 “Zed’s Dead Baby. Zed’s Dead.”
Butch Coolidge (Bruce Willis)
Pulp Fiction‘s cast of characters is filled with nefarious and criminal individuals with few who seem like upstanding people. However, even within such a collection of people, Zed is an easy one to point to as the most repugnant. With him showing up to Maynard’s basement to sexually assault the captive Marsellus and Butch, he is immediately creepy. The fact that he is wearing a cop uniform and seems to have done this many times before makes it worse. So it is very satisfying when the tables are turned on him and he is left by Butch to be dealt with by Marsellus, even more so when Butch takes his motorcycle, happily suggesting Zed won’t need it anymore.
14 “…What?”
Brett (Frank Whaley)
While Brett is onscreen for only a few minutes, he is responsible for one of the most famous and darkly funny exchanges in the movie. After seeing his friend just executed and knowing he is likely to share the same fate, it is understandable that Brett has a hard time comprehending everything being thrown at him. However, Jules is not an understanding man and gets annoyed when Brett cannot answer his seemingly simple question of what Marsellus Wallace looks like. With a gun in his face, Brett is warned not to say “what?” again which should be motivation enough, but when Jules throws in the unexpected question “Does he look like a b****?” it is hard to blame Brett for being confused.
13 “You Wanna Play Blind Man, Go Walk With The Shepherd. Me, My Eyes Are Wide Open.”
Jules Winnfield (Samuel L. Jackson)
Jules’ arc is one of the movie’s greatest storylines and another example of its ability to throw in unexpected elements into familiar crime movie scenarios. Following the “divine intervention” in Pulp Fiction, Jules is a changed man. When the naive Vincent tried to come up with reasons why he and Jules survived what was a surefire death scenario, Jules dismissed him with this quote. The meaning behind it was that he realized that he didn’t need to follow a “shepherd” anymore, as his eyes were well and truly open. From then on, there were no excuses for Jules living the gangster life, and he left to make a real contribution to the world.
12 “I’mma Get Medieval On Your Ass.”
Marsellus (Ving Rhames)
Ving Rhames is an underrated performance in Pulp Fiction that shows the tough crime boss like it has rarely been depicted in movies. His introductory scene, preparing Butch to take the dive sets him up as a truly intimidating man that Butch would be foolish to cross. However, when Marsellus finds himself a captive of Zed and Maynard, Rhames plays a believable vulnerability to the situation. That makes it all the more satisfying when Marsellus bounces back and takes control of the situation, promising Zed will live a short life of pain and regret for what he did.
11 “I’m Trying Real Hard To Be The Shepherd.”
Jules Winnfield (Samuel L. Jackson)
Anyone who has ever seen a Quentin Tarantino movie, or any crime movie in general, may be surprised by the ending of Pulp Fiction. Once it is revealed that Jules and Vincent are in the same diner that Pumpkin and Honey Bunny are planning to rob, it feels inevitable that it is leading to a bloody end. While that was the original Pulp Fiction script called for a violent end for the two would-be robbers, the real conclusion is perfect. It continues Jules’ arc as he makes good on his promise to live a more peaceful life, even giving Pumpkin and Honey Bunny his money.
10 “Spider Just Caught A Couple Of Flies.”
Maynard (Duane Whitaker)
Quentin Tarantino is always effective at keeping audiences on their toes with where he takes the stories. However, he was still such a new voice in cinema at the time Pulp Fiction came out, so it was shocking to see some of the left turns he took audiences on. The confrontation between Butch and Marsellus was unexpected, but audiences assumed it would result in one of them being killed. However, when they stumbled into Maynard’s shop, the whole situation changed. With this one line, the audience begins to realize things around about to go down a very strange and dark path.
9 “And Now, Little Man, I Give This Watch To You.”
Captain Koons (Christopher Walken)
There have been some brilliant Quentin Tarantino monologues in his career, but it is hard to top the famous Christopher Walken scene in Pulp Fiction. Walken gives one of the great one-scene movie performances in a flashback as a young Butch is met by a soldier named Captain Koons who served with his father. Koons goes into a long history of a watch owned by Butch’s father that was passed down through the generations. It is a gripping and harrowing tale that suddenly takes a hilarious left turn. Walken perfectly plays the sudden absurdity before returning to the stoic delivery as he now presents the watch to Butch.
8 “Oh Man, I Shot Marvin In The Face.”
Vincent Vega (John Travolta)
What Vincent and Jules were doing with Marvin remains a mystery, but having him in the car with them made for one of the funniest moments in the movie. Following the murder and divine intervention in the apartment, Jules and Vincent ride down the road discussing God’s role in what happened. When Vincent turns around to ask Marvin’s opinion, his gun accidentally goes off, blowing Marvin’s head off. It is a shocking moment made comedic gold with John Travolta’s delivery of the line which sounds more like he forgot to pick up milk at the store rather than he just killed a man.
7 “I Want That Trophy, So Dance Good.”
Mia Wallace (Uma Thurman)
The Pulp Fiction dance scene is one of the most iconic moments in the movie. As the date between Vincent and Mia treads into more and more dangerous territory, the dance is the moment that seals the deal. It also shows a spark in Mia that makes her an endearing character for all her faults. She just met Vincent, and barely knows him, but instead of allowing it to be an awkward night, she pushes it further, forcing Vincent to dance. There is also an excitement about the scene given John Travolta’s iconic onscreen dance moments, from Saturday Night Fever to Grease.
6 “I’m Kinda Curious About That Myself.”
Lance (Eric Stoltz)
The adrenaline injection scene in Pulp Fiction is a stunning set piece for the movie and one of Tarantino’s most suspenseful scenes. There is so much at stake as Mia overdoses and Vincent must save, not only her life but his own as he is doomed if Marsellus’ wife dies on his watch. The chaos of going to Lance’s home and preparing the injection is a stressful sequence as none of them seems to really know how to handle the situation. Even after Lance walks Vincent through the procedure, he admits he is not sure what happens next. It adds another layer of intensity to the situation as the audience is as on edge as the characters.
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