[ad_1]
When you’re a natural storyteller, there are some occasions where you’re not in control. And for the sake of the story, that can be good. Sometimes letting go is the easiest way to let a story take its natural course. If Julian Gowdy had tried to force his vision to be friendlier, more logical, and narrative-wise more cinematic, then The Devil’s Tongue wouldn’t have been as original and personal as it ended up being. This is one small indie film with enough dramatic force to arouse you to think about how far one could go to achieve art.
Only one knows. And that’s exactly what Gowdy tries to solve with the first act of the film. It’s not easy to introduce a film, but in the case of The Devil’s Tongue, the premise is basic. The film begins as a movie director can’t find a proper way to make his film. His crew isn’t supportive enough, or perhaps they don’t share his passion or vision. In any case, his frustration begins to show as he finds desperate measures to continue production. Perhaps someone famous could be the solution to his problem. But what does he need exactly? In this dilemma, Gowdy decides to include an autobiographical element in the feature. Gowdy is a former addict fighting the monsters that still reside in his mind. In the film, the director has his own demons lurking nearby driving him to go for an easy escape.
Gowdy could have made another film. One definitely easier to digest. A comedy? Or horror? He prefers to stay on grounded territory and make The Devil’s Tongue a compelling feature about the limits of artists who use art as a way to express themselves in a society where addicts are seen as scarred monsters who can’t make ends meet. The film’s premise evolves into something darker. A kidnapping of some sorts with hints of torture. This is the art he’s capable of achieving because the only deal he’s able to foresee is one where shock becomes the only way to make your presentation. The director goes a long way into making a potential producer believe in his story: the only outcome spawned from the extreme measures he’s come up with. In the end, it’s implied that the director has signed a deal. Was it worth it? Try to interpret it and we’ll chat about it. The Devil’s Tongue isn’t like any other film and it doesn’t try to be one. It’s a brave stance taken by a man fighting something that isn’t easy to understand from a empathetic point of view.
With a budget of over 10.000 USD, a limited crew, and a heavy burden, Gowdy has completed a film whose solidity is relative. This isn’t a horror film, or even a rule-based thriller. This is a personal feature that you’ll connect with if you can understand how terrifying it is to make a film people like. This is the result of a collaborative effort between a talented young man and his friends, and here in Movie Blogger we like to celebrate such things.
Founder of Screentology. Member of the OFCS. RT Certified Critic
Dog dad.
[ad_2]
Source link
– Armessa Movie News